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| Canadian Journal of Rhetorical Studies |
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| Volume 5(1), 1995 |
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| CONTENTS |
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Zimmerman, Eugenia N. |
Managing chaos: Dea fortuna in classical antiquity and in the medieval world. |
1-16 |
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| | This paper will consider various avatars of the allegorical figure of the goddess Fortune, descendant--by assimilation--of Tyche, the Greek goddess of Chance, and ancestress of our modern "Lady Luck." | |
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history
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Saim, Mirela |
Profanas vocum novitates et sensuum: Abaelard's collatio and its rhetorical genre. |
17-29 |
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| | In wonderfully balanced Latin periods, all the more oddly venomous, Saint Bernard described Abelard's disturbing non-conformity: sine regula monachus, sine sollicitudine praellatus, sine disciplina abbas | |
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text and writing
religion
rhetoric
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Doutrelepont, Charles |
Les lois d'amour: Filles, vices et figures de rhetorique. |
31-48 |
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| | A Toulouse, en 1327, un docteur en droit, maitre Guilhelm Molinier, entreprend de rediger les lois qui devaient regir, dans les pays de langue d'oc, la composition des poemes | |
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text and writing
rhetoric
language
critical theory
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Ronquist, Eyvind C. |
Rhetoric and early modern skepticism and pragmatism. |
49-75 |
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| | This paper seeks definition and historical grounding for a method of reluctant judgment and practical enquiry that comes to be observable in literature of the later fourteenth century | |
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theory
language
metaphor
rhetoric
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Robinson, James E. |
Rhetoric and representation: Shakespeare and the theatre-world metaphor. |
77-93 |
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| | What I propose in this essay is a rhetorical way of approaching what is a central and pervasive motif in Shakespeare's drama, that is, the consciousness within the artistry of the plays of their function as representations of the reality of the world | |
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critical theory
history
memory
persuasion
public speaking
rhetoric
text and writing
language
metaphor
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Stanivukovic, Goran V. |
Hyperbole at the Rose theatre. |
95-108 |
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| | Marlowe's Tamburlaine the Great (Part 1) and Shakespeare's 1 Henry VI demonstrate, in different ways, the rhetorical and tonal effects of blank verse | |
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semiotic theory
rhetoric
language
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Maillet, Gregory |
"To glad your ear and please your eyes": Medieval and Renaissance rhetoric in Shakespeare's Pericles. |
109-124 |
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| | Distinctions between medieval and Renaissance rhetoric, like distinctions between many medieval and Renaissance concepts, derive more from material circumstance--such as the practical demands of medieval preaching or letter writing (Murphy) or Renaissance humanist politics (Rivers 129)--rather than from the relatively continuous classical theory that informs both periods | |
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text and writing
public speaking
rhetoric
critical theory
history
memory
metaphor
classical rhetoric
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