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| Convergence |
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| Volume 15(3), 2009 |
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| CONTENTS |
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Swalwell, Melanie |
Towards the preservation of local computer game software: Challenges, strategies, reflections |
263-279 |
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| | New Zealand's digital game history includes a significant quantity of locally written software titles from the 1980s | |
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Search CIOS databases for resources containing these metaterms:
computer
history
memory
pacific rim
technologies
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Ruppel, Marc |
Narrative convergence, cross-sited productions and the archival dilemma |
281-298 |
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| | This article addresses the speculative role of digital preservation from the standpoint of convergent literatures | |
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Search CIOS databases for resources containing these metaterms:
computer
memory
history
rhetoric
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Stakelon, Pauline |
A sound that never sounded: The historical construction of sound fidelity |
299-313 |
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| | Cylinder recordings as an early form of reproducible sound media were first used in 1877 and continued to be produced commercially up until 1929 by Edison | |
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Search CIOS databases for resources containing these metaterms:
computer
technologies
broadcasting and media
history
memory
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Lessard, Bruno |
Between creation and preservation: The ANARCHIVE Project |
315-331 |
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| | This article is concerned with the pioneering digital archive of media arts ANARCHIVE, which is supervised by Anne-Marie Duguet (Universite de Paris 1 Pantheon-Sorbonne/University of New South Wales) | |
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Search CIOS databases for resources containing these metaterms:
technologies
computer
memory
history
broadcasting and media
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Chare, Nicholas |
Warring pixels: Cultural memory, digital testimony, and the conflict in Iraq |
333-345 |
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| | This article explores the ways in which the films In the Valley of Elah (2006), Battle for Haditha (2007) and Redacted (2007) act as forms of testimony to the Iraq conflict and to the roles played by digital technology in bearing witness to it | |
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Search CIOS databases for resources containing these metaterms:
computer
technologies
visualization
film
history
memory
rhetoric
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Langill, Caroline Seck |
Self-emulation: Upgrades in new media art and the potential loss of narrative |
347-358 |
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| | In this article I examine the ways the archival process has compelled artists working in early electronic media, and new media to `self-emulate', to produce new versions of their artworks | |
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Search CIOS databases for resources containing these metaterms:
technologies
broadcasting and media
computer
rhetoric
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Veronesi, Francesca, and Gemeinboeck, Petra |
Mapping footprints: A sonic walkthrough of landscapes and cultures |
359-369 |
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| | Mobile, location-aware technologies are cultural tools for the re-enactment, re-embodiment and recontextualization of history and memory in our everyday life | |
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Search CIOS databases for resources containing these metaterms:
technologies
history
memory
race and ethnicity
pacific rim
rhetoric
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